Roberto Sanesi: “Contemplazioni”
To observe these most recent works by Bruto Pomodoro -although perhaps one ought to say ‘to contemplate’, taking up the author’s own standpoint – seems to impose a reasoning regarding the symmetries of representation which is visually given by way of opposites. As if the aim, for example, were that of ‘advancing’ by’ way of variations of images which ought to present themselves as being unvarying while instead – and this is the point – they are placed in a critical position by the symbolic use that is made of them.